Sunday, September 28, 2008

Michaelmas

Michaelmas is not a well-known feast day of the church, but it is one that our family adopted, along with Candlemas, St. Nicholas Day, and Santa Lucia Day, to celebrate in our own family context. We tended to have activities planned for St. Nicholas Day and Santa Lucia Day, but Candlemas and Michaelmas were simply in our remembrance. We called our house, Candlemas and meant for it to be a kind of sacred and peaceful place. We had read Thomas Howard’s book, “Hallowed Be This House” (long out of print now) and were very much influenced by it.


Michaelmas represented a dream for us as the name of a community, a commune of our old age in “the autumn of our lives” just as Michaelmas announces the fall. Whether this dream is ever realized or not, I still have this day in my eternal consciousness. This video is for my family on Michaelmas Day. It is my way of loving them from a great distance.

Tuesday, September 23, 2008

Dr. Who teaches the past tense

I used to love Dr. Who. PBS ran the series for a time. Tom Baker was the best Dr. Who ever, but I loved tje cheesy and cheap effects and the Dalacks. "Exterminate! Exterminate!" I thought I could use the time travel idea to talk about tense to ESL students This is mostly for fun though and a chance to be Dr. Who.

Saturday, September 13, 2008

Going Home

I put the words to this song on my blog site a while back, but I thought I would put the song here now that I have finished it. I'm not a great musician. In fact, I don't think I'm a musician at all. I frequently go flat or sharp and I can't really keep a beat, but I like to tell stories. This is a story poem within a longer story poem called Peter the Pirate: the Commodore's Journey that I have been working on for years. I don't play any instruments, and the drum you hear is my fingers pounding on the desk. I have several "songs"in Peter the Pirate. This is the best of the bunch so far (which may not be saying much) For the sake of context, Peter and his Pirates sing this song to a ghost called Sammy Kirkendhal. It is a part of a rite that will allow Sammy to speak to them for a short period of time and give them guidance. I hope you enjoy it!

Friday, August 29, 2008

The Bower

I have seen an oriole’s nest; he weaves it as a bower.
And climbs inside where he can hide and keep his children safe.
The night is cold, the predators bold, and though they rant and rave
The birds keep their place, in warm sacred space: where wicked things hold no power.

Oriole, oriole, bright oriole! I beg you build me a nest!
The night, it is cold and the predators are bold, and sense my scent on the wind.
I pause and I hush. Do you hear? In the brush? And another beast--just round the bend!
And where will I go, my sweet oriole, as Panic pierces my chest?

The lanterns in the sky above are snuffed out one by one.
The moon is black, she’s turned her back; she doesn’t hear that growl.
Indifferent moon! Caring not how soon the dark thing on the prowl
Should come around and strike me down and rip flesh from my bone.

Ah, Oriole! Oriole—my Oriole! High in your holy Bower,
One last lantern lights the sky, enlightens me, and I know why!
Whom I have loved, has loved me back. In this I rest and die.
I see you Oriole and I know that yours--is the Kingdom and Power.

Monday, August 11, 2008

The Shuttle Driver

Sameer, my old shuttle driver was chatty and friendly and became something of a friend to me. He’d take me down to the bakery, or once he stopped so I could pick some dates from the palms on the side of the road. Whenever we went to town, I’d pick his brain for a different kind of date: Arabic words. Sometimes it was because I would try to read the Arabic road signs and wanted to check my pronunciation of the letters, or sometimes I was just curious to know how to say something. His English wasn’t great, but he had enough so that I could develop an amiable relationship with him. In the morning he would have the radio on and it would be playing middle-eastern music.

“That’s from Beruit,” he’d say, or “That’s Kuwaiti” or “Who is that singer? Remember Mr. Ken? I tell you twenty time! Remember?”

“Fay- Fay-“I’d try to remember.

“Fayrouz! Mr. Ken. Why! Why you no remember? Number 1 singer in Middle East! I tell you and tell you!”

“Bad brains.” I’d say apologetically, pointing at my temple.

“She come here—two, maybe three month ago. Emirates Palace.” Then he’d say, appalled, “2-3000 dirham! One ticket to see Fayrouz. Is too much! Too too much!”

That would be somewhere around 700 to 900 American dollars. I was impressed. And here I had never even heard of her and was lousy at remembering her name. But I did like her voice and her music.

Sameer is from Palestine. He is 57, smokes, has rather course skin on his face, a crudely trimmed moustache, and kind of squinty eyes. He wears a white shirt and an Al Ghazal stripped tie, (which looks just like one I wore in the cub scouts when I was a kid (not the neckerchief). He seems to be separated from his wife (I wasn’t too clear about that, and sensed I shouldn’t really ask.) He has a sister who has visited him here, and several children. One is a son who lives in Jordan. I didn’t find out too much about the rest. He had a nephew, I think it was, who was killed by Israeli missiles not long after he had married. “Why? Why they do?” he asked.

Sameer lost his job because he says he was getting too old. Mandatory retirement here is 60 and it is rather ambiguous why they let him go three years early. “What I can do?” He said to me resigned to it. I had lots of questions and shouldn’t have asked them, really, but I was concerned for him. "What will you do? Will you go back to Lebanon? Will you go to your son in Jordan? Do you have retirement?” He didn’t know, smiled sheepishly, and I was aware that my questions may have served to increase his own anxiety. He said he would get 10,000 dirham (1000 for each year of his ten years of service with Al Ghazal). He may not have known the meaning of the word “retirement”, but workers here, in fact have no social security or retirement in general. Businesses in the UAE hire cheap laborers from other countries, pay them a straight pre-negotiated salary, give them no raises, work them for twenty years and send them packing when they are too old to work, and they do this according to UAE labor law. Unlike foreign workers in America, who can apply for citizenship and reap the benefits that go with it, workers here go back to their countries with what they have saved, a ticket home and their yearly bonuses.

And so, Sameer has been replaced by Nasser, who is a much better and safer driver, but who speaks even less English, is very quiet, and has the radio tuned to a Hip Hop station—nothing Middle Eastern at all--not even Indian music or Bollywood. I’ve wondered if he plays it because he likes it, or if he thinks I will be more comfortable with American music. He drives me to the very back door of my villa, whereas Sameer only drove me to the curb. I kind of get the feeling that Nasser expects to be treated as a servant, and with the impersonal distance that goes with it. But that’s not what I want. I came here to teach English, but I really came here to find out about people and their cultures and to make friends with people from every station in life.

I’ve tried to chat with Nasser. Perhaps he is shy, I can’t say, but I don’t think I’m going to be able to make friends with him. He is from Southern India and speaks a language I’ve never heard of. I asked him to repeat it, tried to pronounce it, butchered it badly, until he finally said, “I speak Hindi.” I’m guessing his language is close to Hindi, but he was trying to save me the trouble of butchering it. But, somehow, the way he said it brought the conversation to and abrupt end.

So I sit in the passenger seat of the shuttle, where I always sat when I drove with Sameer. I sit in silence, without worrying about getting into an accident, the gears of the van not winding up to a near explosive level as when Sameer drove, not nearly being hurtled through the window every time we approach a speed bump as I did when Sameer drove, and in silence I watch the Palm trees along the road, as I listen to Hip Hop, which I can’t stand, and I find that I am very upset.

There is a graveyard on the landscape of my heart that seems to be ever expanding and full of people who haven’t died, but have moved on to another world all the same. They are empty graves with tombstones. They are empty because there is nothing to fill them with. They have tombstones because I must remember.

The life of an ex-pat, ESL teacher is the life of a loner, but human beings require relationships. Those relationships sometimes happen before we even know it. As if invisible tendrils flow out of us all the time, without our knowledge, and catch, somewhere, with someone--and then, suddenly the someone is gone and we feel the tendrils snap, and we didn’t realize we had become so attached, but we know it now.

So it has been with me and Sameer.


Sunday, August 3, 2008

A Tribute to Keveen




Life is a path on a journey to a place that we know not of.

I want to walk it slowly, patiently with my head up, attentive to the landscape.

In the end it is a path that we must all walk alone. That is not to say that we don’t meet people on the way. Our paths run parallel to others and they seem to walk with us for a while. Some walk with us and, for a time amuse us, but they are quickly forgotten in the shadows of our past.

Others we will never forget.

I walked a while, a very short while, with Keveen Gabet, The Unforgettable, The Brightly Burning Candle, The Explorer; and I enjoyed the exchange. He is on a grand journey both literal and metaphorical. In his mid-twenties he has seen more of the world than I ever will. And he will go even farther—a lot farther, I think. He must be Thursday’s child.
Did I just meet a cheerful version of Lord Byron? A happy Thoreau? A gleeful Emersonian Man? In the end, I think I met a Keveen Gabet! A new and unique person, who is pushing the limits of what is possible in a human lifetime. He is a true and authentic, bohemian, explorer, poet, writer, and filmmaker who is figuring it all out as he goes. His teacher is the wind, the sand, the sea, the road, and all the people he meets and the places he sees.


As I said, Life is a path on a journey to a place that we know not of. That is not to say that we are not drawn to a certain end. The place we are going is already in us, and yet it is drawing us to where it is. It is a great tragedy, as Emerson noted, that conformity has wasted so many lives that have been lost to mediocre existence. We know, we sense, beyond reason what we should do, must do, but we don’t follow that pull, because people tell us how foolish we are, and they seem so sure that they know the right way for us to live our lives, they convince us to turn aside and do the sensible thing. And so we live lives that are empty, but we make enough money, do our duty, grow old and die, having lived “lives of quiet desperation.”
Keveen just goes where he wants to go, and does what he wants to do and is just crazy enough to take great risks, and with a certain ease walks into the hearts and lives of people, rich and poor, all around the world, with good humor, a charming smile and the innocence of a child.

And so Keveen, my blessing, for I was a priest, once:

May Love follow you, dwell in you, guide you, and protect you;
May Love take you far away and bring you home again.
Love be your mission and Love be your message,
Love be your companion
And Love be your champion,
Until I see you again, inshallah, my friend.

Wednesday, July 23, 2008

Mynah Bird



Mynah bird, mynah bird
How do you do?
A peckin’ and a pluckin'
On my old black shoe.

Mynah bird, mynah bird
Perchin’ on my fence
I just can’t understand you
‘cause you make no sense.

O the things that I’ve forgotten!
And O the things that I have lost!
The things I’ve buried: dead and rottin’
The things I’ve done and what they cost.

Mynah bird, mynah bird
A stranger in your land,
I’m tryin’ hard to listen hard
So I can understand.

Mynah bird, Minah bird
What did you say?
Was it supplication?
What’d you pray?

Memories like puzzle pieces
Scatter on the wooden floor
Or like cut crystal glasses
That shatter loudly all the more.

Mynah bird, Mynah bird
There’s something that I lack
Mynah bird, myna bird
Take me back!
Mynah bird, mynah bird
Take me back!
Take me back!
Take me back!

Monday, July 7, 2008

Miracles

I was looking at the desert today as the military bus took us to the base to teach English. In other places the dunes are exotic, grand and sweeping and graceful as the curves of a nude beauty. But here, today, it was just barren and skuzzy with dried brush. I wondered what this area was like hundreds of thousands of years ago when there must have been fertile lands, long before the desert killed it all off. I wondered if the land could be reawakened and I imagined that I would walk and sing the song of ancient word and melody; and I imagined the rain falling and deciduous forest springing up around me. And I wondered: if I walked in swaths across the desert like a rewind of a slow moving scythe putting the forest in place rather than cutting it all down: How long would it take me to change the land and alter the climate? If only I knew the right words and the melody! And I thought: if only the power of God resided within me to do such a thing.

Then something inside me said: “but such power does reside in you.”
And I responded that I had no idea how to tap into such power.
“That isn’t how you should think about it.”
And how should I think about it? I asked.
“You shouldn’t exactly think at all. The power of God is in everyone, waiting.”
And how do I wake it up then?
“It is your self you must wake.”

When I was a child, I had a canary I called, “Tony.” I don’t know what possessed me to give a canary a name like “Tony” but I did. I liked that bird and sometimes I would let him out of the cage to fly around the room even if it meant having to clean bird crap off the walls and the floor. Eventually he would be ready to return to his cage and he would let me catch him and I’d put him away. He sang the sweetest songs as he swung on his swing. Sometimes I let him bite my finger to see how hard he could do it, and his little tongue would lick my finger as he bit.

One day I came into my room to find Tony on his back on the bottom of the cage. I knew he was dead, but I stuck my hand in to nudge him a bit to see if he would get up. I even pushed on his chest as if to resuscitate him, but he was stiff and motionless. I cried a while about it and then I prayed to God: “O, God, if you just bring him back to life, I’ll go to church every Sunday for the rest of my life.” What can I say? I was a child and I figured God would make deals with people. What did I know of theology? My bird was dead and only the Master of Life, Death and All Miracles could bring him back.

I’m glad we didn’t bury him right away, because about a half an hour later he was up swinging and singing as usual. I was astonished, and I went and told my mother that he was alive. She came to my room and did not respond to the “miracle” that I had just witnessed. She calmly gave me a couple of rational alternatives: “Perhaps he had had a seizure, or, even more likely, that he was spooked and flew around his cage and knocked himself out.”

The bird was dead, mom. Sorry, but he was stiff with what I now know is rigor mortis. But the need we have to give rational explanations for things like that is very telling. We will see only what we believe in, or want to believe in. You tell a kid there is a God who is master of life and death, that walking on water and passing through walls is possible and he will believe it until, the real thing happens, and then we explain the miracle away, because we don’t really believe in them or that they are really possible. Why would the God of the Universe be bothered to resurrect a kid’s canary? Aren’t there more important miracles needed in this world?

I know that Christian Church people of the Restoration Movement are proud of being sensible people who don’t go in for all that emotional Pentecostal kind of stuff. God gave us a mind and expects us to use it and all that. And that is how I was raised. Yes, yes, miracles took place in the bible, back in Bible days and then they stopped because you can’t really trust anything that’s not in the Bible and the world is full of crazy religious people and if they aren’t crazy, then they’re charlatans.

All the same, Tony was alive and I suddenly realized, with a quickly falling visage, that I had promised God that I would go to church every Sunday for the rest of my life. You know…church isn’t a lot of fun for a kid. As an adult, I can’t say it is a very thrilling experience either, but for a kid it means dressing up in ill-fitting, uncomfortable clothing and having to stifle unlimited energy for hours on end, listening to a preacher use long meaningless words, while sitting on pews that were not made for a human rump, let alone a child whose legs cannot even reach the floor. I’m afraid to say, that in the course of my life, I have failed, miserably and egregiously, to keep my childhood promise to God. I don’t think he ever believed I would keep that promise. I think, sometimes that God has a kind of perverse sense of humor (as anthropomorphic as that may sound). I imagine him chuckling, good humouredly, at my foolishness. Beyond my anthropomorphic projections, God is Love. I can pray to Love, I can pray to God: “Same, same” as my Arab students say. Love Loves me and Loves through me. I say he chuckles because he didn’t care about the promise I had made, and he showed me how foolish such promises are.

So why did he bring my canary back to life? Well, I think it was to teach me something. I have learned two things from this event: one is that God is pretty good at keeping promises, but I really suck at it. And secondly, that what we believe is what we will see. I saw a bird come back to life. My mom saw a canary that was unconscious for a while.

What is real?
And what does that voice in me mean when it says, “It is your self you must wake.”